Welcome to Oui films, a company specializing in institutional films. You know those ultra-positive short films, certified with no (or almost no) embellishment of corporate reality that make beautiful exercises in self-celebration. But, as you can imagine, behind the scenes it was very different. These companies are less exemplary than advertised. Less inclusive, less egalitarian. It is with these many compromises and small agreements with reality that Denis, a talkative director who dreams of being Spielberg, and Walter, an introverted production director who wants to learn to say no to his production director’s orders, must face every problem. communication day, a woman is both embarrassing and invasive.

Written by Brigitte Leclef and director Bertrand Dévé, the series is a charming satire on the hypocrisy that runs rampant in the world of work. The humor is sometimes a little childish, but the acidity is often on point. The gall is on point and if we sometimes approach archetypes in the characterization of recurring characters, the interpretation, always fair and rounded by the actors (Mélodie Fontaine, Romain Lancry and Nicolas Martinez), compensates for this reserve.

Another recommendation: “Rogir,” an Indian series broadcast on Prime Video

Series in eight episodes, is signed by writers Reema Kagti and Zoya Akhtar and confirms that this thriller is the best way to tell the story of the political and ideological disintegration of a society. In hot weather-hit areas of Rajasthan, women are disappearing amid general indifference. Their families didn’t really try to look for them and the police didn’t care at all. Until one day when a hot-tempered and pugnacious investigator – qualities not at all welcome for a career in local law enforcement – ​​decides to lead the investigation against the advice of his superiors. Except for her boss, who is just as tired of the stark disparities affecting women.

A starting point for an anxiety-inducing scenario that reveals the identity of the killer from the first minute to better address this idea that a serial killer is often a purely dangerous product of the society that gave birth to him. A feminist fiction that denounces caste struggles – our hero is part of India’s lower strata –, the alarming rise of religious radicalism and the resulting Islamophobia. A busy sociological backdrop for an involved thriller.